Chicago Folk / Americana singer / songwriter, Steve Dawson, has been called “one of the most underrated songwriters in American music,” who writes, “graceful, poetic songs akin to a volume of great short stories in their precise, exacting wordplay and soulful heartache.” Dawson has released six albums with his long-time band, Dolly Varden, and four solo albums, including 2020’s critically-acclaimed “Last Flight Out” with his folk/jazz ensemble, Funeral Bonsai Wedding. His upcoming album, “At The Bottom Of A Canyon, In The Branches Of A Tree,” will be released on Pravda Records in 2021.
Originally from San Diego, California, he spent his teen years in Hailey, Idaho, where he learned guitar and started writing songs. After a few years at the Berklee School of Music in Boston, Dawson moved to Chicago and formed the band, Stump The Host, with his future wife, artist and singer, Diane Christiansen. Dawson also teaches songwriting at the legendary Old Town School of Folk Music and co-wrote a book on songwriting and the creative process with Mark Caro called, “Take It To The Bridge: Unlocking The Great Songs Inside You.”
Steve Dawson & Funeral Bonsai Wedding feat. Quartet Parapluie w/special guest Louis Bardales
Album Release Concert for “Last Flight Out”
“One of the most underrated songwriters in American music, Steve Dawson's newest venture is Funeral Bonsai Wedding, a jazz-folk collaboration that recalls the best of Tim Buckley or Astral Weeks-era Van Morrison. Those may seem like lofty notices, but Dawson has a way with melody and image that live up to them” — Riverfront Times
The idea of FUNERAL BONSAI WEDDING came to Steve Dawson while riding a bus in his hometown of Chicago. Every day he passed a florist with three windows, each with a sign. “Funeral,” read one. “Bonsai,” another. “Wedding,” read the last.
However random, Dawson realized the words sounded natural when put together, much like the group that would share its title. Indeed, when FUNERAL BONSAI WEDDING released its self-titled debut album in 2014, the collaboration appeared like it shouldn't work. As the songwriter-singer behind Dolly Varden, an acclaimed Americana band from Chicago, Dawson's roots are country and soul. He is joined by three Chicago jazz musicians — vibraphonist Jason Adasiewicz, drummer Charles Rumback and bassist Jason Roebke — known for their inventiveness on Chicago's legendary free jazz scene, having participated in projects with people like Ken Vandermark, Ryley Walker, Thurston Moore, Nicole Mitchell, Jeff Parker, and Nels Cline, among many others.
Put together, the music of FUNERAL BONSAI WEDDING is unlike all of the above. On Last Flight Out, every sound is inverted: Adasiewicz's vibes serve as the lead instrument, Dawson's voice often leads to chants, and Rumback and Roebke shift time to move the music to side pockets as they move it forward. The closest comparison to the ephemeral blissed-out melodies is Van Morrison's epic Astral Weeks, which aims for transcendence amid ordinariness. To reach those otherworldly heights, Dawson had to invert the process he was conditioned to within the context of a rock band.
The musicians first played together in 2005 at Chicago's Elastic Arts, a hothouse for experimental jazz. “It felt like I was floating,” Dawson remembers. That performance led to the group defining its sound in the studio and conducting a handful of shows including its debut at Constellation, a free jazz performance space and a summer performance at the Pritzker Pavilion in Chicago's Millennium Park. After pausing for a few years, Dawson invited Funeral Bonsai Wedding to join him for a 2017 residency at the Hideout. By then original drummer Frank Rosaly had relocated to Amsterdam and was replaced by Charles Rumback. They were joined by Quartet Parapluie, an all-female classical string ensemble whose members have also moonlighted for groups like Belle and Sebastian, Iron & Wine, and Kanye West.
Afterward, everyone on stage knew what they needed to do next: Make a record and expand the scope of what FUNERAL BONSAI WEDDING could become.
This time out, Jason Roebke played a bigger role in writing the string arrangements to accompany Dawson's songs, enhancing them in ways that made even the most downcast lyrics glow with beauty. “Jason added to the meaning of the songs. It's pretty incredible. I had been playing with him for many years, but it shows me he's paying attention to the full songs — not just his part, but the whole picture,” Dawson says. “It's really wonderful.”
By shedding traditional song structures, and inspired by the open space created by his new collaborators, Dawson found himself gravitating towards more impressionistic lyrics, which happened to fit the surrealistic world that emerged since the last record. Those details creep into Last Flight Out through lyrics and moods that hover on the edge of both hope and despondency — A state that reflects the everyday news cycle. “The songs go unexpected places,” Dawson says. “I let my imagination go where it will. I didn't try to confirm it to a traditional narrative.”
The first thought had to be best thought since LAST FLIGHT OUT was recorded in a single day at Kingsize Sound Labs in Chicago with John Abbey at the controls. The band was fresh from a headlining performance at Constellation and wanted to capture that energy in just a few hours.
For Dawson, the magic of FUNERAL BONSAI WEDDING comes from that blind trust. If Dawson hadn't seen that florist window, if he hadn't agreed on a lark to improvise on a stage he'd never played, if he hadn't decided to put his songs in the hands of musicians he barely knew at the time — He would have been stuck.
FUNERAL BONSAI WEDDING is the sound of starting over and not knowing what's next until it happens.